Cara mengedit kendang /Percussion KORG PA50

Pernah dengarkan user DK (drum kit), iya..tentu saja sangat familier dikalangan para pemakai KORG PRODUCT.
kali ini saya tidak akan membahas bagaimana car membuat style dengan user DKnya. so pasti ini masalah style untuk keyboard korg, bagi yang punya keyboard baru jenis ini pasti bingung dapat style tetapi Acak acakan suara drum dan kendangnya (dangdut), bass dan accompt sesuai namun druk mit(kendang) nya tidak karuan.
bagi yang punya masalah tsb ini ada info tentang User DK pada korg PA 50, tanpa bermaksud mengurui pendahulu saya,
 untuk master mohon saran dan dukungan nya kalau salah tolong di benarkan agar Posting yang saya share lebih bermanfaat.
oke langsung aja dibawah ini ada pengertian tentang user DK dan bagaimana cara meng-editnya.

Pertanyaan info tentang User DK pada korg PA 50 Setahu saya, userDK (User Drum Kits) adalah Drum Kit yang dibuat oleh user atau pengguna keyboard sehingga posisi, velocity, susunan suara pada tuts dsb disesuaikan dengan keinginan player. Jadi, setiap user pasti akan memiliki user DK yang berbeda kalau ia membuatnya sendiri. Supaya style yang kita download bisa dimainkan sesuai asalnya, ketika loading ke keyboard, program userDK nya harus diloading juga.
Kalau download cuma stylenya saja, berarti kita harus edit lgi style tsb, terutama channel drum+percussionnya , yg jelas user DK tu tempat Drum kit hasil editan kita Sendiri, nah untuk kasus seperti ini berarti yang anda save tu cuma style nya aja, pada hal ini DrumKit (DK) nya tidak ikut terbawa, sebab sudah umum kalau musik dangdut pasti butuh drumkit editan.
user DK pada dasarnya merupakan sound dram/percussion yang telah diedit. Untuk membuat user dk pada Keyboard pa 50 langkah awalnya adalah sebagai berikut:
-Buka sound drum. tekan pilih program
-Pilih drum/percussio(DRUM&PERCUSSIONS)
-tekan menu dan edit soundnya.
prosesnya mungkin agak rumit Bagi para pemula.
-Putar tombol di page 2 lalu dengarkan secara signifikan perubahan yang terjadi dengan cara terus menekan tuts pada bahian yang di edeit(mis:C-2)
-Jika telah selesai,simpan editan tersebut di user dk tekan write in use,arah kan kemana hasil editan tersebut akan ditaruh.
-ENTER 2X
-siap dipakai

demikian semoga informasi tentang info tentang User DK pada korg PA 50 semoga dapat membantu anda dalam oencarian artikel atau berita terkait dengan info tentang User DK pada korg PA 50. terimakasih atas kunjunganya tunggu updatenya

catatan: biasanya pada hal edit mengedit ini, akan terus disempurnakan pada tiap PERFORM /panggung

USER DK> DOWNLOAD disini

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KORG PA50 SPECIFICATION

Korg Pa50 Professional Arranger

Specifications

Year of Release: 2004 System: Multitasking, Load while play feature Tone Generator: KORG HI Synthesis - 62 Voices, 62 Oscillators – Filters with Resonance Keyboard: 61 keys with Velocity Effects: 4 Stereo Digital Multi-Effect systems – 89 Effects types Programs-Drum Kits: More than 660 Programs (including Stereo Piano and GM Level 2 Programs) + 33 Drum Kits - 128 User Programs + 64 User Drum Kits – Program & Drum Kit Full Edit Styles: 256 Factory + 48 User Performance-STS: 160 Realtime Performance locations + 304 Styles Performances Realtime Tracks: Four Keyboard tracks (Upper 1, 2, 3, Lower) - 4 Pad tracks Song Play: Patented XDS Crossfade Dual Sequencer player - format 0 and 1 - GM compatible - Lyrics function Song: Record & Edit functions (Transpose, Cut/Insert, Delete, Quantize, Copy, Velocity, Event Edit, Step Record) - Easy Sound Edit - 4 Effects – 16 tracks – SMF format Backing Sequences: Real Time Record - Chord/Acc Step Record & Step Edit - 16 tracks – SMF format Multi Pad: 4 Assignable (Sound & Functions) Pads + Stop Button General Controls: Master Volume, Ensemble, Octave Transpose, Master Transpose, Split Point, Style Change, Tracks Volume, Quarter Tone Function, Programmable Slider, Joystick, Dial Control Inputs: Damper Pedal, Assignable Pedal/Switch Audio Outputs: Left/Mono, Right, Headphones Audio Inputs: Left/Mono, Right, (Line Input) MIDI: In, Out, Thru Floppy Disk Drive: 3.5" 2DD/2HD (Ms-Dos compatible) Display: Backlit Custom LCD Amplification: 2 x 15 Watt Speakers: 2 Speakers in Bass-Reflex Box Power Consumption: 30 W Dimensions: 1054 / 41.5" (W) x 393 / 15.47" (D) x 150 / 5.91" (H) mm / inch without music stand Weight: 11.25 kg / 24.8 lbs Accessories: Manual, AC Power Cable, Music Stand Options: DS-1 Damper Pedal, PS-1 Pedal Switch, EXP-2 Expression Pedal, XVP-10 Professional Expression/Volume Pedal ORIGINAL SOURCE http://www.korgpa.com/en/support/discontinued-products/korg-pa50.html

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KILAS BALIK PERJALANAN PEMBUATAN PRODUK KORG(KORG HISTORY)

Tsutomu Katoh, founder of Korg

Korg is recognized as one of the most innovative manufacturers of electronic music instruments and accessories in the world. With its headquarters based in Tokyo, Japan, the Korg company also has a network of distributors who operate in countries around the world.
The company began, as many do, with the idea that something could be done better. In the early '60s, Korg founder Tsutomu Katoh was a nightclub proprietor. Tadashi Osanai, a noted Japanese accordionist, performed regularly at Katoh's club. Katoh told Osanai that it would be nice to have a rhythm machine to keep the beat. Osanai, an engineering graduate from Japan's prestigious Tokyo University, was certain he could build a rhythm machine himself, and convinced Katoh to finance his efforts.
In 1962, Katoh rented a small facility alongside the Keio railway line (pronounced K-O Kayo), where Katoh and Osanai on developing a mechanical rhythm machine. The fledgling enterprise was dubbed Keio Electronic Laboratories. Their first product, the Disc Rotary Electric Auto Rhythm machine or Doncamatic DA-20, was released in 1963. While primitive by today's standards, the instrument represented a major breakthrough in its day.
The company is also known as the manufacturer of the first synthesizer developed in Japan in 1968, called “Prototype I”. In 1969 Keio Laboratories Ltd. (the name was changed to this in 1964) developed the second keyboard, an electronic organ named "Korgue", derived from the words “Keio” and “ORGan”. The first product using the Korg name was "miniKORG 700" in 1973, and the first Korg logo appeared on this product, even if it was a little different from the current one. Finally, in 1986 the company's name changed to KORG Inc.

The following is the history of all Arranger Keyboards made by Korg, with links to precious resources for owners of these, now classic, instruments.

1983

The SAS-20 was Korg’s first arranger keyboard. A built-in computer analyzed the melody played on the keyboard, and generated a complex accompaniment. This was the world’s first auto-accompaniment function of this kind added to a keyboard. Also, a more traditional chord recognition system was included.

"i-series" Interactive Music Workstations

1993

Korg introduced its first professional arranger in 1993 with the i3 model, which proved to be the first in a huge series of Korg 'interactive' products. Until that time the auto-accompaniment keyboards were designed primarily for home use, but i3 changed that. Its tone generator was an AI2 engine coming from the renowned Korg synths, which made it a perfectly useable 'pro' keyboard. Once again, a Korg keyboard succeeded because of the quality of its factory voicing. It also retained a multitrack MIDI sequencer, Styles and Arrangements that allowed players to use it as a band-in-a-box or compositional tool, improved chord recognition with a big graphical display, a joystick and analog volume controls for each accompaniment section. A new Backing Sequence feature provided also for easy creation of new songs based on styles.

1994

The company introduced the i2, an i3 "on-steroids" with a 76-note keyboard and a new Piano sound.

1995

In 1995 a further improved version of i3 was introduced: the Korg i1, that included an 88-note weighted keyboard, a huge piano sample, and built-in speakers. Other features were similar to the i3, even if new styles were added.
During the same year, other "i-series" instruments with built-in amplification appeared:
The i4S (where "S" stays for "Speakers"). This keyboard was something like an i3 with speakers, but with a smaller feature set.
The i5S was a scaled-down version of the i4S, with a plastic chassis and a reduced set of features. Some new sounds and styles were added.
A module called i5M was also introduced, with specifications similar to the i5S, but with no amplification and, obviously, no keyboard and joystick. This product was really appreciated by accordionists, happy to discover at its heart some added traditional styles and sounds (shared with the i5S).
In 1995, singers also welcomed the "ih Interactive Vocal Harmony", that allowed for creation of vocal harmonizations, starting from chords played live in Style mode, or recorded in a Song's track. This unit is still a best-seller on the second-hand market, thanks to its excellent price/quality ratio.

1996

During 1996, Korg did not introduce any new arranger or related product. However the new Korg Italy R&D department was established in Italy to keep focus mainly over entertainment keyboards. The laboratory actually take place in Osimo, near Ancona, in the center-east part of Italy, an area with strong traditions in musical instruments manufacturing, and was intended to support especially the European market and customers.

1997

The iX300 Interactive Music Workstation was introduced, back to a unit without speakers but offering new sounds and more than 100 styles.

1998

This was the year the first two products from Korg Italy appeared:
iS40 included new sounds (among them, a gorgeous stereo piano sample), new styles (128), and several new features. One of the most appreciated new features, Keyboard Sets, allowed for immediate recalling of keyboard track settings.
iS50 was the low cost version of iS40, lacking just a minor number of features from its bigger sibling.

These two new-entries added to the most important values traditionally associated to the Korg brand name, innovation and great sounds, a reasonable price. Plus, they boasted a completely new, award-winning look.
During the same year, the i30 Interactive Music Workstation was introduced, claiming to be the first arranger featuring a Touch Screen Display. This model was speakerless, 64 notes of polyphony, and included some more sounds compared to the iS40.

1999

Korg introduced a successor to the i5M: the i40M module. Specifications were similar to the iS40 (obviously, with no keyboard or joystick), but included a Vocal Harmonizer as standard. Furthermore, the module included 3 different pre-programmed MIDI setups, to make connection with various accordions even easier.
iS35 was a new version of the iS40, featuring the same specifications, and adding a Vocal Harmonizer as standard.
iS50B boasted the same specs as the iS50, but in a Dark Blue chassis.

"Pa" Professional Arrangers

2000

A new range of arranger from Korg was introduced in year 2000: the Pa Series. Pa80 was the first model introduced in December 2000 with a stunning sound inherited from our award-winning Triton, a wide selection of highly-musical Styles made by some of the best musicians in the world, a Multitasking Operating System and a revolutionary Dual Sequencer design. This new keyboard will bring the benefits of Korg's stunning songwriting and music production/performance to a whole new generation of musicians.

2002

The new Pa60 Professional Arranger was introduced. Apart from fewer features like sampling and Harmony Board compatibility, it is same instrument as the "top-of-the-range" Pa80.

2003

During this year, a new line of professional arrangers debuted, starting from the flagship - the Pa1X Pro Professional Arranger. Including some ot the most advanced technologies available in the musical instrument world, it marked the return of Korg to the speakerless, studio-oriented interactive composer type of arrangers. It also marked the beginning of a factive cooperation with the renowed studio gear manufacturer TC-Electronic.

2004

Short after the launch of the Pa1X Pro, the Pa1X Professional Arrangers was introduced. This is the speaker-fitted, shorter-scale version of the Pa1X.
After the top-of-the line, ultra-luxury Pa1X Pro, Korg release its most inexpensive arranger ever - the Pa50 Professional Arrangers. Despite the low purchasing price, it boasted most of the same features of the revered Pa60, making it a true bargain.

2006

A successor of the Pa80 with speakers was introduced, named the Pa800. It was a jump forward under the technology point of view: the new Korg tone generator, and the EDS sound synthesis, made their first appearance in this middle-of-line arranger some months before the revolutionary M3 synth line was introduced. Twice the polyphony, physical modeling for guitar effects (based on the REMs technology), track EQ, the new TC-Helicon vocal effects, plus the guitar mode. As usual for Korg, an incremental advance on the surface, yet a ground-breaking innovation in the inner core.

2007

Improving on the almost perfect Pa1X Pro/Elite was a difficult challenge, that Korg faced with the usual, savvy sense of adventure.
The result was the Pa2X Pro: the same solid feel of the predecessor, with an all new and innovative design, and the same sound technology advances introduced in Pa800 just a few months before.
The Double MP3 Player/Recorder (optional in Pa800) was standard, and it was a shock: no more practical differences between SMF files and
MP3 audio files. Slowing down and transposing MP3 files was the ordinary Korg extraordinary. Pa2X Pro clearly aimed at the professional musician, due to its improved 76 keybed, tiltable touch screen, phantom power, balanced in/out, digital audio output and internal clock.

2008

After the renewal of the top-of-the-line model, this year saw a renewal of the entry-level model. After the incredible success of Pa50, the Pa500 made its appearance, considerably improving in the interface design. A modern, stylish case, with a die-hard core - the same of the Pa2X and Pa800 for an incredible price.
This model was made available also in different localizations, to fit any particular musical taste and tradition.
During year 2008, Korg introduced Pa588, a cross-over of an arranger (the acclaimed Pa500) and a digital stage piano, with the 88-note graded-weighted RH3 keyboard, built-in speakers, and a beautiful piano sample. Great on stage, it is supplied with its own piano stand; compatibility with the Pa-Series makes it a perfect home-entertainment machine.

2009

The Pa50SD Professional Arranger lost the old floppy disk in favour of a modern SD Card media.

2011

The Korg Pa Series has a new flagship: the Pa3X both in 61 and 76 keys versions.  Including innovative features like: new TC Helicon, Waves mastering suite, Chord Sequencer, Ambient Drums, Drum families, Search facility and more packed in an elegant and sturdy alluminium case.

2012

Pa600 is a modern yet inexpensive version of our line, with some touches taking it to the next generation of Pa instruments. Increased minimalism, and a new type of display, make it a bridge between the old and new, with solid roots in the past and an eye to the future.
Today Korg is still dedicated to providing musicians with new and better instruments with which to express their creativity.
Thanks for making this alive, Katoh-san !


Original Source  ARRANGER HISTORY At: http://www.korgpa.com/en/support/arrangers-history.html

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Sample Kendang gratis yang bisa anda download

> DUT
> GEN
> TANG
> PLEK
> DUNG!
> DENG
> TAK
> PLEK
> NJUTT
> BUNG
> TANG
> TUNG



sementara ini dahulu yang bisa saya share,


Salam

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Sitemap

Sitemap - Arsip

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Privacy Policy

Privacy Policy for http://editstyleferian.blogspot.com/

If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at fferian@gmail.com.

At http://editstyleferian.blogspot.com/, the privacy of our visitors is of extreme importance to us. This privacy policy document outlines the types of personal information is received and collected by http://editstyleferian.blogspot.com/ and how it is used.

Log Files
Like many other Web sites, http://editstyleferian.blogspot.com/ makes use of log files. The information inside the log files includes internet protocol ( IP ) addresses, type of browser, Internet Service Provider ( ISP ), date/time stamp, referring/exit pages, and number of clicks to analyze trends, administer the site, track user’s movement around the site, and gather demographic information. IP addresses, and other such information are not linked to any information that is personally identifiable.

Cookies and Web Beacons
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Some of our advertising partners may use cookies and web beacons on our site. Our advertising partners include ....
Google Adsense


These third-party ad servers or ad networks use technology to the advertisements and links that appear on http://editstyleferian.blogspot.com/ send directly to your browsers. They automatically receive your IP address when this occurs. Other technologies ( such as cookies, JavaScript, or Web Beacons ) may also be used by the third-party ad networks to measure the effectiveness of their advertisements and / or to personalize the advertising content that you see.

http://editstyleferian.blogspot.com/ has no access to or control over these cookies that are used by third-party advertisers.

You should consult the respective privacy policies of these third-party ad servers for more detailed information on their practices as well as for instructions about how to opt-out of certain practices. http://editstyleferian.blogspot.com/'s privacy policy does not apply to, and we cannot control the activities of, such other advertisers or web sites.

If you wish to disable cookies, you may do so through your individual browser options. More detailed information about cookie management with specific web browsers can be found at the browsers' respective websites.

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CARA MENGATASI BLANK PADA KORG PA 50,60,80,



Bisa dibayang kan ketika kita sedang melakukan live show atau pun manggung/sejenisnya di tengah permainan tiba tiba keyboard kita blank tanpa gambar apalagi sound..
hmm...apa yang harus dilakukan?


bisa...tapi perlu waktu antara 15 menit sampai 30 menit untuk menginstal OS keyboard tersebut

PENGGANTIAN OS dapat dilakukan dengan cara:
1. matikan keyboard untuk beberapa detik
2.masukkan disket /SD Card memory OS
3.Hidupkan keyboard dengan menekan tombol fade in/out berulang2
sampai terbaca Perintah penggantian OS di layar LCD..tekan enter..
4.ditunggu donk....semasih penggantian OS berlangsung(bisa juga sambil ngopi plus nghudud)


setelah selesai cabut disk OS tersebut tekan sembarang tombol

hasilnya bisa kita check semua style /pattern/user DK/perform,program menghilang alias empty
OS korg pa 50,60,80 dapat di donload DISINI
atau DISINI 



langkah berikutnya adalah RESTORE DATA/BACK UP

restore data artti nya mengembalikan pengaturan awal seperti pengaturan pabrik


dapat dilakukan dengan cara:
1.HARUS HIDUPKAN KEYBOARD DONK :D
2.tekan tombol Disk>menu>utility
3.pilih RESTORE DATA
4.masukkan media(disk/memory)
-untuk korg pa50 floppy memakai 5 buah disket
5.ikuti perintah
-insert 1st RD data.
urutkan 1-5 buah


complete
matikan lalu hidupkan lagi

Untuk yang memiliki data backup nya silahkan ambil didiye'

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Fungsi tombol perintah pada RECORD MODE korg pa50

dalam pembuatan style korg ,anda kan memerlukan beberapa fungsi tombol untuk penyempurnaan hasil record anda.
Berikut adalah daftar perintah yang ada pada KORG PA 50,PA 60,PA80 Dan rata-rata KORG pada umumnya
-MENU: berisi semua fasilitas yang disediakan untuk kelangsungan proses pembuatan style meliputi:
QUANTIZE,EDIT TRANPOSE,EDIT VELOCITY,EVENT EDIT,EDIT EV-FILTER,EDIT DELETE,EDIT DELETE ALL,EDIT COPY,SECTYL PROGRAM, KEYBOARD RANGE
Kali ini yang akan kita bahas yaitu 
-QUANTIZE

Apakah QUANTIZE itu? quantize adalah: perintah yang digunakan untuk mengendalikan rapat atau renggang nya suatu NOT yang ter rekam
-TRANPOSE
berfungsi menaik kan atau merendahkan NOT yang terpilih ke nada yang diinginkan
-EDIT-VELOCITY:
Berfungsi meratakan tiap note (frekwensi angka ) atau response tone per kuat tekanan jari...
kita bisa meng-ubah suaikan tiap note/meratakan nya di tombol ini misal: 127 semua
-DELETE:menghapus 
kita dapat menghapus per -Note dengan fungsi ini atau dengan cara lain tekan tombol sych/start stop (tahan) kemudian di tekan note (voice) yang terpukul sampai hilang
 atau dengan tombol perintah
-DELETE ALL...per track atau Pe variation
-KEYBOARD RANGE/KEYBOARD EXPRESSION: berfungsi layak nya Mixer yang mengatur kuat rendahnya accompt yang ter rekam..
  untuk lebih lengkapnya contoh pembuatan dapat dilihat  disini 
contoh pembuatan remix lampung-> Disini

atau LIVE di panggung bisa cekidot DISINI

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PRIVACY POLICY

Privacy Policy for editstyleferian.blogspot.com If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at fferian@gmail.com. At editstyleferian.blogspot.com/, the privacy of our visitors is of extreme importance to us. This privacy policy document outlines the types of personal information is received and collected by editstyleferian.blogspot.com/ and how it is used. Log Files Like many other Web sites, editstyleferian.blogspot.com/ makes use of log files. The information inside the log files includes internet protocol ( IP ) addresses, type of browser, Internet Service Provider ( ISP ), date/time stamp, referring/exit pages, and number of clicks to analyze trends, administer the site, track user’s movement around the site, and gather demographic information. IP addresses, and other such information are not linked to any information that is personally identifiable. Cookies and Web Beacons editstyleferian.blogspot.com/ does use cookies to store information about visitors preferences, record user-specific information on which pages the user access or visit, customize Web page content based on visitors browser type or other information that the visitor sends via their browser. DoubleClick DART Cookie .:: Google, as a third party vendor, uses cookies to serve ads on editstyleferian.blogspot.com/. .:: Google's use of the DART cookie enables it to serve ads to users based on their visit to editstyleferian.blogspot.com/ and other sites on the Internet. .:: Users may opt out of the use of the DART cookie by visiting the Google ad and content network privacy policy at the following URL - http://www.google.com/privacy_ads.html Some of our advertising partners may use cookies and web beacons on our site. Our advertising partners include .... Google Adsense These third-party ad servers or ad networks use technology to the advertisements and links that appear on editstyleferian.blogspot.com/ send directly to your browsers. They automatically receive your IP address when this occurs. Other technologies ( such as cookies, JavaScript, or Web Beacons ) may also be used by the third-party ad networks to measure the effectiveness of their advertisements and / or to personalize the advertising content that you see. editstyleferian.blogspot.com/ has no access to or control over these cookies that are used by third-party advertisers. You should consult the respective privacy policies of these third-party ad servers for more detailed information on their practices as well as for instructions about how to opt-out of certain practices. editstyleferian.blogspot.com/'s privacy policy does not apply to, and we cannot control the activities of, such other advertisers or web sites. If you wish to disable cookies, you may do so through your individual browser options. More detailed information about cookie management with specific web browsers can be found at the browsers' respective websites.

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1. CONTOH PEMBUATAN STYLE KORG PA50(dangdut) seperti yang telah dijabarkan pada halaman terdahulu contoh style yang terbuat seperti  DISINI dapat kita dengarkan,bahwa sample kendang yang telah di rancang sedemikian rupa terlihat jelas seperti halnya pada bass yang telah di setel dengan memakai efx a;0 b:48.tinggal bagaimana mengatur kadar efx tersebut. adapun hal lain yang perlu diperhatikan antara lain MIXER di luar pada hal ini penulis biasa memakai setelan sebagai berikut:  
2. DRUM:127 PERC:127 BASS:90 (pengaruh efx yang dipakai kmungkinan akan membuat bass menjadi lebih keras) ACC1:90 ACC2:90 ACC3:100 Dst setelah dirasa cukup, jangan lupa meng-Save data yang telah kita buat dengan cara: tekan "write in use" kemudian tekan ENTER Sebanyak 2x style telah terbuat
3. PEMBUATAN STYLE selengkapnya dapat dilihat di SINI

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• my S0ULMATE

Tychaa Cye ZoulMate

(PEMBERIAN EFX).

Pada umumnya efex yang ada pada korg pa 50 memeiliki fungsi tersendiri dan kelebihan dari efex yang lain

bukan hanya untuk style yang telah terprogram ,namun juga bisa dialuh fungsikan sebagai efex perform tone <tone yang kita edit sendiri)nah adapun cara yang bisa kita ambil adalah:

bunyikan style(arr.style play) cukup keras tekan tombol MENU >pilih effect 

pada standardnya biasanya terisi efx A:43 efx B :16

mainkan dengan pelan kemudian putar EFX sesuai dengan keinginan.

akan tetapi pada hal ini,penulis biasa memakai netral pada fx A :0 =NO EFFECT sedang pada B biasa di isi 58 sebagai effx penyempurna warna bass accompt.

geser page ke page dimana tertera tulisan send efx disitu kita bisa menambah kadar efx yang telah kita pilih oada menu efx..

perhatian:jangan mmakai efx yang bising mis:64 dikhawatirkan terjadi loncatan efx yang signifikan ke audio.

bila efx telah terpilih anda bisa menajam kan sense efex tersebut dengan membuka page selanjutnya,page dimana kita bisa mengolah ulang efx-efx tersebut

bila sudah tertata sesuai keinginan, tekan "write in use" enter 2x..

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STEP RECORDING

step recording adalah: bagian untuk membuat track yang rumit /terlalu rapat untuk dipukul secara manual.
adapun pemakaiannya adalah sebagai berikut:
-pilih track yang akan dipakai
-Hitung measure/bar yang akan di insert track tersebut (misal bar ke 8:09.00)artinya track ke 8 dari 8bar ada perapatan beat  misal pada snare remix
-pindah tulisan RT(real time) menjadi STP (step recording)>tekan START/STOP
  Pada layar tampilan akan muncul track ,bar,length yang telah ditentukan

nahh bagaimana kita meletakkan snare rapat yang kita kehendaki di bar no 8 ? MUDAH..
setelah tombol STP aktiv,klik VARIATION 1 (V 1) sebanyak 1x
tekan pada tuts yang tidak termasuk key note yang nantinya kita pakae Mis: C9 sebanyak 7 X nah...
akan muncul pada layar LCD 08.00.00 artinya bar tersebut masuk ke urutan no.8 anda tinggal meng-klik V4,FILL 1,FILL2 atau pun pada tombol Ending 1&2 tergantung kebutuhan beat yang kita perlukan .


jangan lupa menyetel V:64 ke angka yang lebih tinggi karna fungsi angka itu sebagai ukuran kuat rendahnya tone yang kita pukul.
setelah selesai...play it......
jangan lupa menn-DELETE track yang dipakai untuk meloncati beberapa bar tadi (C9) dengan cara:

 DELETE PER-NOTE 

tekan dan tahan tombol sycn/start stop kemudian tekan tut dimana voice itu berada misal c2..tahan coeeee....

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CARA MEMBUAT STYLE KOG PA 50

untuk membuat style pada Korg pa 50 ada alternative yang sangat mudah untuk melakukannya
step yang bisa ditempuh antara lain:
1.edit CURRENT STYLE
Bertujuan meng-edit style yang sudah ada dalam internal keyboard.
2.edit NEW STYLE
Pembuatan style baru.






adapun langkah yang dapat di ambil dalam pembutan style baru sebagai berikut
-Aktivkan keyboard donk....wkwkwkwkwk
-Tekan tombol http://editstylekorg.blogspot.comRecord pada pojok kiri atas LCD maka akan ada tampilan huruf sebagai berikut:
-CURRENT STYLE
-NEW STYLE
tekan NEW STYLE untuk memulai pembuatan baru,langkah berikutnya adalah mempersiapkan track yang akan dipakeai pada pembuatan style tersebut mis
-drum:standard kit
-perc(mewakili kendang jika dangdut):mis: ferian kit1
-bass:slap bass
-acc1:piano(sesuai voice kesukaan )
acc2:pada umumnya di isi accompt rythem gitar,bisa diisi dengan clean gitar untuk mnghasilkan suara yang kering kayaknya real rythm..sedangkan acc lain bisa diisi dengan voice pembantu seperti yang qta ingin kan.
atur lah dahulu METRONOME,BEAT,dan MEASURE seperti yang kita inginkan..padahal ini untuk dangdut kebanyakan memakai beat 4/4 meas:1
Rubahlah meas 2-ke meas 1

Langkah berikutnya adalah klik element yang akan kita RECORD pertama kali mis: PERC...setelah berkedip tekan tombol START/STOP sebagai awal pembuatan style

pukul tuts dimana voice yang terpilih diletakkan.setelah selesai 1 BAR penuh langkah berikutnya adalah STOP kmudian tekan MENU pilih Quantize (sesuaikan dengan not yang telah terpukul) tekan ENTER/YES. geser page ke Velocity ganti angka +0 menjadi +127 tekan Enter (klik 2 x) yes.
pada Step berikutnya kita bisa melakukan pengecekan voice yang telah terrecord dengan cara tekan tombol play kembali.
bila ada suara yang terlalu Load atau terlalu bising,kita bisa melakukan hal berikut:
Buka MENU .pilih EVENT EDIT disitu kita bisa lihat per-Note track yang telah ter-record tekan tombol acc5 untuk menurunkan monitor track tersebut .
bila note "berisik " tersebut sudah ketemu,klik angka pada not tersebut(127) rubah angka tersebut menjadi 110 atau angka dimana tone tersebut terdengar tidak Loud lagi.
tekan ATART/STOP untuk mendengarkan lagi track tersebut bila telah sesuai STOP.

-proses Record berikutnya yaitu klik Drum  yang mewakili Tamborine pada track dangdut(lakukan hal yang sama seperti pada record kendang) dan seterusnya.

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